World Premiere

Cancelling Socrates

BY HOWARD BRENTON.

DIRECTED BY TOM LITTLER.

2 June -
2 July 2022

Overview

“They say Pericles caught democracy from you in bed.” 

Today, Socrates is revered as the founding father of Western philosophy. But in 399BC Athens, he was a pain in the neck. The plague is over, democracy is (just about) restored, and everyone would like to get
back to normal. How hard is it for one ageing firebrand to stop asking questions? It’s time to shut him up… 

Based on eyewitness accounts, Cancelling Socrates is a provocative, witty and dangerous world premiere from Howard Brenton, one of our foremost dramatists, whose acclaimed plays have been staged at the National Theatre, RSC, Shakespeare’s Globe, and worldwide. He reunites with our Artistic Director, Tom Littler.

 

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People

Jonathan Hyde
Socrates
Jonathan is possibly best known for his leading roles in cult-hit films such as Richie Rich, TIitanic, The Mummy and Jumanji. Jonathan has also worked extensively at the National Theatre, the Royal Shakespeare Company, the Prospect Theatre Company and Almeida.
Hannah Morrish
Xanthippe
Hannah trained at The Drama Centre and has since appeared in numerous productions on stage and screen including Father Brown and Call The Midwife.
Robert Mountford
Euthyphro/Gaoler
Robert has worked with Royal Shakespeare Company, Royal National Theatre and Tara Arts, as well as on screen. His solo shaw Vagabonds – My Phil Lynott Story has sold out to audiences in both London and Dublin.
Sophie Ward
Aspasia
Sophie is an actor and writer who has worked in film, television and stage since her feature film debut in Paramount Pictures’ Young Sherlock Holmes. She can currently be seen in the BBC‘s A Very British Scandal.

Howard Brenton
Writer
Isabella Van Braeckel
Set and Costume Designer
Max Pappenheim
Sound Designer
William Reynolds
Lighting Designer
Ali Taie
Sound Designer
Becca Chadder
Assistant Director
Lisa Cochrane
Stage Manager


Media

“As his final word fades away, you want the whole thing to start again”
The Times
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“A buzzy hive of intellectual activity, swarming with witty repartee”
The Telegraph
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“A smart, sparkily topical evening”
The Financial Times
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“Knotty & cerebral”
The Stage
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“A masterclass in bringing classical tales to a modern audience”
The Reviews Hub
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“A dazzling performance”
ReviewsGate
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